| France has
long drawn photographers from all over the world. Many
arrived and never went home. Some of the
"Greats" have spent their entire working lives
in Paris, feeding off what Hemingway described as "a
moveable feast". If it can take a lifetime to photograph
France, what can you do in just a couple of weeks?
In November
1999 I was in England on an assignment and it happened
that I had to change my schedule leaving two weeks free.
I decided to cross the channel and do some photography in
La belle France.
I made the
conscious decision to travel light. Limiting my
photographic gear to two camera bodies one fitted with a
20-35mm lens, the other with a 70-200mm. I took a monopod
and my trusty bean bag with me instead of carrying a
tripod. I shot about 20 rolls of film.
I spent the
first week wandering around the streets of the capital.
As is often the case in northern Europe the November
weather was cold and grey, but there are always ways of
making the most of whatever light is available.
I could have shot everything in black and white but
decided to stick to colour as the soft diffused light
suited the style of shots I had in mind.
Paris
couple
I liked the way that the heroic couple in the background
sculpture are oblivious to the man peering over their
shoulders. At the same time this Parisian pair were
equally unaware of me with the camera.
Photographer
in the park
This photographer had his sites set on the statue,
while I photographed him. Has someone perhaps got a shot
of me photographing the photographer?.
C3PO
French culture is deep rooted, however you will see young
Parisians enjoying "le fast food". Although
this shot was taken on the Champs Élysées it could have
been in any big city in the world. (maybe even the
galaxy)
Bare
trees
The crisp, cold air and early evening light gave a
stark beauty to these bare branches.
I headed
south for the second week. The train journey on the TGV
echoed the contrasting nature of the regions. As the
train crossed the Massif central it did so with
modern efficiency and truly grande vitesse. When
it reached the south the nature of journey changed
dramatically slowing to a much more relaxed pace.
Flag in
Nice
Mediterranean light is sharp and intense, colours are
vibrant and saturated, even the shadows seem to glow.
Chairs on
Nice beach
I arrived in
Nice late in the evening with just enough time for a
quick stroll by the sea front. These blue chairs were
dotted all along the beach. They were lit by very green
sodium spotlights, so a lot of filtration was needed. The
2 second exposure gave the waves a creamy appearance.
Drummers
The French are known for their joie de vie. Life
is there to be lived and enjoyed. The drummers on Nice
esplanade are not buskin, they are just there to play
their music and have a good time.
Pont du
Gard
The lone figure crossing the Pont du Gard gives some
sense of the scale of this 2000 year old aqueduct.
French
window
The harsh sun of the south has taken its toll on the
paint work of this building. This shot taken under cloudy
conditions shows the weathered texture of the paint and
wood.
I found the
whole experience very stimulating. Sometimes you need a
deadline or some other external pressure to focus the
mind.
I look
forward to going back to France, next time to shoot at a
more leisurely pace. Maybe "Six months in
Paris" or "A year in Provence". Now that
would be a good title for a book!
Andy
Piggott, April 2001
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